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Text Graphic: 'Generator 21 1996-2006, G21:The World's Magazine' with flying golden eagle logo.

CURRENT MOON
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Text Graphic: 'G21 DECADE - True World Order'





Cover to Africa Fresh!









AFRICA FRESH! New Voices from the First Continent
An anthology of African writing only featured on the Internet until now, this book features the collected works of writers for the G21 AFRICA section of G21.net. The eight writers represented here are from around the continent and present an exciting look at cutting-edge fiction and reporting from the first continent today.
Buy the book or get a downloadable PDF copy now!





Text Graphic: 'A Word About Our Sponsors'.
A small, independent and outspoken magazine like this one can't reach you every week without the support and patronage of its readership. As our way of thanking those who have committed to keep your World's Magazine here on your desktop through their generous donations, we feature their names and cities here in our Roll of Honor.

SUSTAINING PATRONS

RON DIENER,
Wendell, NC, USA

DARHL STULTZ,
Largo, FL, USA

MATT STOWELL,
New Orleans, LA, USA

TIMOTHY MEADOWS,
Anaheim, CA, USA

TERRY TERRIAN,
Sebastopol, CA, USA

CHERYL HILL NATION,
West Fairlee, VT, USA

DRAGAN & DRAGANA VICANOVIC,
Belgrade, SERBIA

LESZEK MICHAELWICZ,
New Orleans, LA, USA

MARIE SINSABAUGH,
Granville, OH, USA

BECKY ALTEMUS,
Houston, TX, USA

Supporting Patrons

BARBARA ATWELL,
Berkeley, CA, USA
IAN CRYSTAL, Ph. D,
New Orleans, LA, USA
LARS KEFFERSTAN,
New York, NY, USA
MEREDITH TUPPER,
Tampa, FL, USA
NGOZI RAZAK-SOYEBI,
Jos, NIGERIA
NICK ALLEN,
New Orleans, LA, USA
RIC WILLIAMS,
Austin, TX, USA
ROBERT PURVIS,
Montclair, NJ, USA
STEVE VIVIAN,
New York, NY, USA
STUART ALTMAN, ESQ.,
New York, NY, USA

We encourage you to add your name to this Roll of Honor. GENERATOR 21 cannot continue and thrive without your support. Thanks in advance.

To support G21, please send checks or money orders to:

G21: The World's Magazine
Attn: Rod Amis
1116 Crestline Road
Wendell, NC 27591-9245
USA

To donate by credit or debit card, please go to the Western Union website by following the highlighted link. Should you donate via Western Union, please notify us via e-mail.

Please make all remittances payable to Rod Amis. Again, thanks.

Text Graphic: 'Established 1990 - Launched on the World Wide Web 1996'.
Celebrating 5.3 Gigabytes of Some of the Most Powerful Content on the World Wide Web

TABLE OF CONTENTS | NEWS | INTERVIEW | OPINION | COMMENTARY | EDITORIAL | HUMOR |


UPDATED: Monday,13 March, 2006A space holder.Next Scheduled Update: Friday, 24 March, 2006

WEB EVENT 437:

Text Graphic: 'NEW CLASSIC'

THE NEW CLASSIC EDITION

This site was designed on a Mac. As we've changed the look-and-feel, we've discovered that it looks best now on the Mac-native Safari browser, though it looks okay on the Opera browser, it's not what we wish for on FireFox, which we still love. What you see may not necessarily be what was intended. (This site is available in the following languages: Deutsch, Francaise, Italiano, Portuguese, Espanol, Korean, Japanese, Dutch, Greek, Chinese and Russian. FREE translations have been our sine qua non for years.)< /p>



Text Graphic: 'The Hot Story!'G21 Interviews: Presley Chweneyagae by BRAD BALFOUR

New York, NY, USA - For Presley Chweneyagae, making "Tstotsi" was more than just a job or a spotlight; it was an act of redemption for a kid from a small, poor town from the northwest province of Mafikeng who made the transition from local actor to international star of an Oscar-nominated film.

But thanks to South African director Gavin Hood, this young guy from a tough neighborhood was able to construct the life of a mentally deranged thug ('tsotsi") and criminal gang leader, showing his human side both because of that experience and in spite of it as well.

G21: Were you surprised at how brutal you became when you saw yourself on screen?

PC: Yes, definitely. It was like asking myself, "Are you capable of doing that [laughter]."

G21: Except for Butcher, the gang member who shanked the people, you were a pretty nasty guy.

PC: Yes, I was a pretty nasty, but it's probably because I grew up around guys like him, so it was easy to relate to. Plus, it was just a lot of cut and paste [laughs] of all these people.

PC: You grew up around killers?

PC: Yes. It was tough. There were people stabbing each like in the daylight and stuff like that.

G21: You grew up pretty much after apartheid - how old are you now?

PC: Yeah, pretty much. I'm 21, sir.

G21: Apartheid was more than 10 years ago [the first democratic election was in 1994; the system was coming apart around 1990]?

PC: I was born in a northwest province in 1984.

G21: So you pretty much missed it; was it interesting to talk to people who experienced it?

PC: Definitely. Because I've read books about apartheid, I kind of learned a lot [about it] but people look at me funny because I don't really understand it. I guess that's what you say, like when you go out or someone just calls you a "kafir" [a derogatory word originally meaning non-believer but in this connotation meaning "nigger"] you think "Oh so what." It doesn't really get to me the way it does to a person who experienced the whole thing. ... READ MORE


Text Graphic: 'The Cool Story'G21 Interviews: Baratunde by ROD AMIS

G21 World HQ - My interest was raised as soon as a friend sent me the e-mail telling me about a comedian who had just produced a free book that you could download online. He said the guy reminded him of a hip new version of Mort Sahl and I should check the book out, in .pdf format, for some ideas about humor for your World's Magazine. The comedian's name was the euphonous and unusual Barantune.

My idea, upon reading only a couple of opening chapters, was that this young man was certainly someone worth talking with. I contact Baratunde where he resides, in Boston, MA, USA and we decided to talk. Here with the transcript of our conversation.

G21: We see that you bill yourself as a "vigilante pundit."??Where did that concept develop for you?

BARANTUNDE: When I published my first book, Better Than Crying: Poking Fun at Politics, the Press & Pop Culture, I had to write a new bio and press release. I had always billed myself as a "comedian and writer," but that didn't explain at all where I was coming from or what I was about. I mean, Dennis Miller is also a comedian and writer, but a) he's not funny anymore and b) we're completely different. I wanted people to get a sense of me in just a few words.

As I looked around at all those so-called "talking heads" on TV discussing politics, I realized that all these folks are generally over 45 years old, white and men. These "pundits" looked and, all to often, SOUNDED the same. Based on my age, race and upbringing, I knew I didn't fit in with that crowd even though I was also talking a lot of politics. I'm more irreverant and waaaaaay more interesting than those cats. Thus was born the "vigilante pundit." I like to think of myself? rollin' onto the set of the McLaughlin Group with my afro and droppin knowledge bombs left and right!

When people ask me "what comedians are you like," I tell them to consider me a younger, browner, hipper Al Franken or Jon Stewart.

G21: Your book for free download, The Mojo Quarterly:??Keep Jerry Fallwell Away from my Oreo Cookies is described on your Web site as an "Open Source" Comedy Book.??Tell us about that, please.

BARANTUNDE: I've been performing my whole life. As a young kid, I played in a Youth Orchestra in Washington, DC. In high school and college, I did several plays and musicals, and about four years ago, I started doing standup. I immediately realized that there was NEGATIVE money in the comedy game for someone at my level. ... READ MORE



We know you're lazy. Here's a button for a quick translation of this page. Just click on the flag for your country. You're welcome!

ROD AMIS ON BECOMING A CLASSIC:

Photo montage of classic film stars.
10 March, 2006: As we open this first edition of our Tenth Anniversary Celebration, your World's Magazine finds itself in a problematical position. It seems difficult to maintain the stance of being an "outsider" and unorthodox Web publication when, by all evidences, we are now a classic of our genre simply by dint of being around for ten years on this medium. Nowhere was this brought home to me more than when attending the Online Journalism Review (OJR) independent publishers' conference in Los Angeles this month. The people who made it a point to seek me out or seek my advice made it clear that, though we are a unique publication, we are also a venerable one.

On a medium where the new is celebrated and the survivors are few and hardy, your World's Magazine earned its stripes long ago. We are now among those publications with a predictable format with which are readership has grown comfortable, we appear regularly and our level of performance is anticipated. We make it look effortless, or try to do so. All of these facts speak to being a "classic" rather than a rebel or a maverick, though that is how we have taken to defining ourself.

But it's difficult to call yourself "that hip little station at the far end of the FM dial" during a week when your publication receives a citation in a Reuters UK news release, as we did this week because our book imprint arm's production, Africa Fresh! New Voices from the First Continent, makes the short list for a fiction prize (Lulu.com's Blooker Prize) or during the same year when one of your writing team is awarded a prize by a major publishing house. (NGOZI RAZAK-SOYEBI and the MacMillan Prize in African Writing, respectively.) Equally so when Kenya's premier literary critic, Evan Mwangi, who teaches African Literature at Northwestern University in Evanston, Illinois, USA, writes a lengthy review of the G21 book that appears in the Sunday Nation, Kenya's largest newspaper.

None of these are incidents that happen to "outside" publications, they are rather things that a "standard" publication comes to expect. You can only begin to imagine how difficult it is for an old rebel like myself to accept that what I am doing, have been doing these last seventeen years in total and the last ten here online, has achieved its goal of setting a standard. There are more Web entities and journals on and offline that have coalesced with what we say and stand for today than when we first began our effort.

In my jocular moments, I quip that "around 2003 the rest of the world caught up." ... READ MORE



Text Graphic: 'The New Features for Your G21 Decade'
NEW YORK STATE: BRAD BALFOUR shares a conversation with the star of the Oscar-nominated South African film "Tstotsi". "G21 Interviews: Presley Chweneyagae".

GLOBAL*BEAT: ROD AMIS talks with the new "Vigilante of Comedy" about his Open Source Comedy book. "G21 Interviews: Baratunde".

 

BC Bud
This short takes an in-depth look at the booming marijuana business in British Columbia. Where enough pot is produced in "Grow-Ops" to provide every resident of the Canadian province with a pound of the high potency bud.
SMOKE & MIRRORS: ROD AMIS reports on the Online Journalism Review conference at the Annenberg School of Communications and Journalism in southern California and a busy, exciting week for your World's Magazine. "The Green Hills of California".

G21 AFRICA: Award-winner NGOZI RAZKA-SOYEBI' continues our Focus on the issue of water. "Water No Enemy Get".

G21 AFRICA: STEVE OGAH' interviews a volunteer aid worker in Nigeria. "G21 Interviews: Simon Shaw".

DAY ONE: AJ shares an ancient prayer for water from the Islamic tradition. "Prayer for Water".

RECOMMENDED DAILY REQUIREMENT: H. SCOTT PROSTERMAN returns to the our OpEd page to talk about the political challenges facing the Left in the United States and gives a bit of history. "How We Got Here".

HOT LINKS: RAHEEM brings another new Link Partner into our family. "Welcome West End Theatre Tickets".

COMING ATTRACTIONS!



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Issue 433: TRUTH SPEAK
Issue 434: ALL THAT NEWS
Issue 435: ELIXIR
Issue 436: LIFE WATCH
Issue 438: VINTAGE - Tenth Anniversary Special Edition
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NATASHA TYNES reports on the rise of Arab Blogging in G21 MIDEAST; YOU brings us more great jokes in HOUSE OF CARDS; and much more!

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