|
MAIN EVENT. A Good Place to Get Started --- a.k.a "Table of Contents" |
| DON'T READ ME FIRST! | THE PREVIOUS EVENT | COMING ATTRACTIONS | THE WRITERS/GUIDELINES | |
To read this article in Deutsch, Francaise, Italiano, Portuguese, Espanol, copy and paste the complete URL("http://www.g21.net/london38.htm") and enter it in the box after you click through.
LONDON, U.K. - A jubilant rock concert was staged in Berlin in the early months of 1990, to celebrate the smashed up rubble of Europe's most symbolic frontier.
It was the first retrospective of those crazy nights of pillage, apart from news broadcasts. Pink Floyd's The Wall was what it was called. And as the giant stage wall was pulled down, hundreds of thousands of people in the audience danced and wept to the glorious sound of "The Tide is Turning".
But despite the public embraces of folk from both sides, there was no attempt to negotiate a political half-way point for East Germany or West. And now, ten years on, we have missed our chance to learn a few things from an economy that put welfare above financial profit.
Today's anniversary tributes are unlikely to tell us much about the Soviets' pioneering welfare system, which offered creches for employees' children in factories and offices, and provided low rents in major cities and free medicine on hand for all. We probably won't hear how the wall, now available in lower case, came down so fast that much of the good of the Socialist system - strong currency and full employment - was washed out with the bad, in a series of drastic mistakes. These are the economic conditions our own political leaders are aiming for now, but sadly, advice only travelled from rich to poor in 1989.
Perhaps if we are serious about constructing a Third Way, today would be a good day to reassess the past and its representation.
The past ten years have shown that the original ending of Pink Floyd's film was more accurate than the sentimental, musical re-working of 1990. Devised in 1982 when the Cold War was at its peak, Pink Floyd's wall was meant as a metaphor for the mental barriers people build inside their heads. Its collapse brought not joy but disaster. It destroyed the main character's prejudices, which at face value might sound good. But he was left with nothing to protect him from the world, and he collapsed in a deeply depressing spiral.
Peter Schneider's renowned novel, "The Wall Jumper," published in German in 1982, shows that Berliners were well aware of the concept of the wall in their minds, or "Mauer im Kopf", and how much longer that would take to fall than the real thing.
The news was supposed to break the following day, along with details of tightly controlled exit visas. But as it was, there were none of the usual border controls between states, and nothing to calm fears of a mass exodus to the West.
A straw poll taken at the first crossing point in the wall, on the night of 9th November, found that 70 percent of Germans opposed unification. The immediate concern of East Germans was to buy consumer goods and visit lost family, and their long-term priority was free elections in the East, not a united Germany.
But as more and more people swept across the border in search of higher wages, unification reached the top of the agenda - if only as a way of stopping them. For it was now far too late for border controls.
All-Berlin elections were held just three weeks after the wall came down, giving nascent East German political parties no time to organise. Their suggestions for state welfare within a multi-party system went unheard, and West German candidate Kohl, representing the Christian Democrats, won the election on impossible promises of wealth for all.
The rush for German unity had a disastrous effect on the economy. On July 1 1990, authorities announced a 1:1 exchange rate between the West German deutchmark and the East German ostmark. Consumers reacted with delight, and rushed out to spend their savings. But the short-sighted move over-valued East German industry, and killed its markets overnight. The only advantage of East German products over their Western equivalents had been their cheap retail prices. Now that selling point had gone, businesses collapsed and workers became unemployed - many for the first time in their lives.
It was not just the speed of the unification process which destroyed livelihoods. Politicians were treating crucial political and economic decisions as having primarily symbolic value. Why else was the exchange rate set at 1:1? Why else were the Stasi secret police files opened so soon, wrecking personal lives as people discovered who their informers had been? Political symbolism was the lethal, drunken driving force of unification, and it was, no doubt, the legacy of having a ten-foot high, 24km long concrete frontier dividing the city in two.
The symbolism of the Berlin Wall was a live dynamic. Rival political factions understood how the present could distort the past, just as we are discovering today on this anniversary. And they knew with unerring poetic instinct that The Wall - a public drawing board as well as a historical landmark - was the best medium for it.
The graffitti on the West Berlin face of the wall began around 1982 with an art competition entitled "overcoming the Wall through Art", organised by The Haus. Five years later, the XX-mile long wall was full.
Discover the MOIA Discussion List
In a press conference, the activists defended their "white line of contempt" saying that the Wall must be seen again for what it was - i.e. an out-of-place imposition. But West Berlin's city council disagreed, and jailed the group for wilful damage to public property. The wall had become a battle-ground for the city's past and future identity.
History is often re-evaluated as the political wheel turns, and rightly so, as the past can always be put to new use. But anniversaries are a dangerous time for historians, because the contemporary significance of an event is often treated as fact, rather than short-term appropriation.
Elton John changed the words of "Candle in the Wind" at the funeral of Diana, Princess of Wales, to soothe a difficult situation, but we should not conclude that Diana did not share the self-destructive traits of original media icon, Marilyn Monroe. Likewise,the people organising the Berlin rock concert changed the film's ending to celebrate the euphoria of the moment, not because anyone thought the end of the wall would lead to a perfect world.
Unified Germany has not collapsed like the man in the original Pink Floyd film. But nor are the Germans euphoric. Racism is rife, unemployment is high and taxes soaring. A joke going round Berlin in the 1990's asks, "Why are the Chinese smiling?" Answer: "They've still got their Wall."
It would be wrong today to celebrate the fall of the wall and the end of Communism as a straight triumph of Capitalism, because we can see now that neither system is perfect. Dancing to either of those Pink Floyd tunes will get us nowhere. Since 1989, and largely as a result of the Wall coming down, Left versus Right has become an increasingly irrelevant model for party politics, and growing numbers of politicians are realising that to move forward, we must deal in practicalities, not ideology.
But the Third Way, as it stands, is little more than media sound-bites about social democracy and economic dynamism. We need to negotiate a genuine compromise between state-provided welfare and a flexible labour market. It will require a great deal of arguing between politicians, economists, the voluntary sector, public services and broadcasters.
Today could be an excellent day for starting the debate with some solid ammunition from the past.That's the sense of liberation we remember today, on the tenth anniversary of 9th November, 1989. We remember that sense of hope for the human race, as estranged countrymen and women hugged one another. Freedom at last, for East Berliners trapped behind the Iron Curtain with clapped-out cars and no ambitions permitted beyond The Party.
The Berlin Wall did come down too fast. To start with, the announcement on 9th November that all citizens could cross Berlin with immediate effect was an accident. Councillor Schabowski, had picked up the wrong press release for a local meeting, but he insisted on stumbling his way through it to the increasing astonishment of his audience, and then the world.
It became a tourist attraction, and political slogans like "Only Those Who Move Can Feel Their Chains" - became quaint cultural nuggets. By 1986, the Wall's message had become such an integral part of Berlin's hip art scene that former peace activists from Weimar launched an attack. They painted a thick white line with a rollerbrush across miles of the wall, desecrating the work of local artists and visiting celebrities like Keith Haring.
The World's Magazine: g21.net
Event # 191: Miserable Destiny
This Pull-down Menu will hyperjump you to all our great features. Try it!
JOIN THE G21 MAILING LIST. Get updates on new features. Take part in our Readership polls, shape the future of The World's Magazine. It's easy! E-mail The World's Magazine with the "Subject" line: SUBSCRIBE.
LAST WEEK's EDITION
For Deep Background visit the G21-Barnes & Noble Shop
Holiday Ideas Needed? Try the new G21/E-NEWS GIFT CENTER
OR get great books at the G21 BARNES & NOBLE SEARCH ENGINE
© 1999, GENERATOR 21.
E-mail your comments. We always like to hear from you. Send your snide remarks to rod@g21.net.