by Brad Balfour

G21 Contributing Editor

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NEW YORK, NY, USA - WHEN WILL I BE LOVED is a treat for Neve Campbell fans. Breaking her longstanding nudity ban, she not only appears here sans clothes but both with an older man and lovely woman. In her previous movie "The Company," she began her effort towards independence both professionalyy and creatively. Well now Campbell is tackling the sexually charged Vera, a femme fatale exploring the limits of her sexuality and intellectual power. Her fast-talking hustler boyfriend tries to pimp her out to an aging Count for $100,000 but he has gravely underestimated her. She turns the tables on everyone.

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G21: What prompted you to do your first nude scenes for director James Toback?

NEVE CAMPBELL: I had no-nudity clauses in contracts before; my feeling on it was that if the nudity isn't necessary and has nothing to do with the film then I won't do it. If it's for a box office draw, as opposed to the content, then it doesn't make sense to me. But WHEN WILL I BE LOVED is about her sexual spiritedness, so it makes sense. here.

G21: What kind of direction did you get for the shower scenes?

NEVE CAMPBELL: Get in and bathe. That was pretty much it. James is really smart because many directors try to direct things like that and at that point it's only going to make the actor uncomfortable. You tend to get more out of the actor if you allow them their freedom and then allow them to believe they made the choices themselves. It was the same in the [lesbian sex] scene with Joelle [Carter]. I chose her. James had me sit in a room with a bunch of girls to figure out who I was most comfortable with. He had us decide what we were going to do in the scene.

G21: How do you feel about WHEN WILL I BE LOVED being characterized as a post-feminist statement?

NEVE CAMPBELL: I can understand why people might jump up and say that because we don't often get to see women be powerful and not play the victim. To me this is a woman who is curious, very intelligent and interested in people and life, while trying to figure out who she is. She is courageous enough to fight back against the people who are trying to manipulate her. But she is also takes a very dark turn, so I don't know if this is a positive film. It's positive in that she doesn't allow herself to be a victim but I wouldn't admire her choices.

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G21: What aspects of her do you see in yourself?

NEVE CAMPBELL: I think we all have been underestimated and manipulated to some extent, so we g et that moment in our minds where we wish we could be dark and get back at those people.

G21: Did you see your character as a femme fatale?

NEVE CAMPBELL: We were finding that out as we went along, which is what I loved about the movie. Often when you see these Black Widow types, you see from the beginning that they have made a choice of how and who they are going to be. Then the outcome occurs. With this, she doesn't know exactly what they are going to do. She's just taking it as it comes and testing the [other characters]. I think she is trying to find out how far they will go with their insidiousness. To me that's [a] more interesting thing to watch because you don't know if you are supposed to be judging these characters.

G21: Is it a good move to change people's image of you?

NEVE CAMPBELL: Definitely. I would say that it's out the window. For a long time, I was told to be concerned about people's idea of me [regarding] the choices I was making and what it would do to my career. No matter what your choices are you truly have no control about what people think of you. It also gets boring doing that because you end up not making choices for yourself. I'm just at a point where I want to do work that is interesting, that challenges me and I want to be around people that inspire and push me. The choices I've made has caused this kind of independent idea of me but I just want to have fun.

G21: You passed on SCREAM 4; you don't want to do big budget films?

NEVE CAMPBELL: There's nothing [more] to do with SCREAM 4. I didn't feel there was anything to do with SCREAM 3 but, luckily, we pulled it off. Everyone that Sidney Prescott has loved has either tried to kill her or had been killed. She should have been in an insane asylum after the first film. I was really concerned about SCREAM 3 being too similar to the first twoãthat's why I put in my contract that I would only shoot 12 days. I think we were lucky that we were able to make a good trilogy. Then Dimension/Miramax also makes the SCARY MOVIES which make fun of that whole genre they started.

G21: How long did you shoot WHEN WILL I BE LOVED?

NEVE CAMPBELL: 11 days. It was a small crew and everyone was excited to work on it. We didn't have a lot of time to discuss everything so a lot of it was on the fly. It was very exciting.

G21: Do you like working in New York?

NEVE CAMPBELL: I love New York. I'm looking for an apartment here. I love the multicultural vibe here. Los Angeles doesn't inspire me in any way. Everyone is in the same industry, you're in your car and you feel very isolated. Here in New York you're always in everyone's face. Life comes to you instead of having to do [a] search for it. My brother, Christian, lives here so I come hang out with him a lot.

G21: What happened to your Broadway debut, SYNCOPATION?

NEVE CAMPBELL: It fell apart because the money fell out. I would have been doing it right now. I'm so bummed and now I'm looking at other shows.

G21: With your last film, THE COMPANY, you produced for the first time. Were you pleased with the response?

NEVE CAMPBELL: I know that financially it could have done better but I never started out making THE COMPANY thinking it was going to make money. You don't make a [film] with that much style, that much freedom and with such a little narrative and hope to make money. Critically, it did really well and I can't tell you how many times a week I have dancers come up to me and thank me for representing their world the right way.

G21: Are you going to be producing anything else?

NEVE CAMPBELL: I still have this project, A PRIVATE WAR, which a friend of mine wrote. It's about his experience with Tourettes Syndrome. My little brother, Damian, has Tourettes so that's very close to me; so we're just looking for the right director.

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