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The Barbara Goldsmith Interview: OTHER POWERS

by Bob Powers

G21 Literary Critic

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Barbara Goldsmith attributes her newspaper experience at the long-dead but beloved New York Herald-Tribune as giving her the resources that have made her one of the nation's best social historians. Her new book about America's Victorian era aptly demonstrates that she's at the top of her field.

Goldsmith won readers and the critics two decades ago with her fascinating book about Gloria Vanderbilt, "Little Girl Lost . . . Happy at Last." Goldsmith, speaking from her home in New York City, told me she's certain that those golden days on the reporting staff of The Herald-Tribune, now gone for more than 30 years, gave her the moxie and the impetus to become a successful historian.

Barbara GoldsmithBorn in New York, she grew up there and in neighboring New Rochelle. She attended the prestigious Wellesley College, where she earned a bachelor of arts degree. Since her writing successes, she has received three honorary doctorates -- in history, humane letters and literature. Her first job right out of college writing for a now defunct national magazine in the Cowles group, then one of the country's major publishers.

When the embattled Herald-Tribune folded after a valiant struggle competing against the Old Gray Lady (The New York Times), Goldsmith became one of the founding editors of New York magazine, which celebrated its 30th anniversary a few weeks ago with a wild party at Studio 54. "You couldn't move," she said. "I stayed a quick ten minutes."

Goldsmith's new book, "Other Powers," (Alfred A. Knopf, $30), is the second to be published recently about pioneering feminist Victoria Woodhull. Mary Gabriel, author of "Notorious Victoria," was interviewed on G21's pages a few weeks ago.

"I didn't know there were going to be two books out at the same time," Goldsmith said. "It came as a complete surprise. We both suffer by having them reviewed together. It muddies the water. Hers is a traditional biography. I found that you have to sift and you have to approach the subject as if it happened today."

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She feels that neither book gets its proper reward, although "Other Powers" has received raves from most critics. Gloria Steinem likes the book and Goldsmith has heard from other feminists and social historians, including those from Princeton and Yale, along with Arthur Schlesinger Jr., and other well-known authors.

Goldsmith first discovered Victoria Woodhull while researching her bestseller about America's "poor little rich girl." She discovered a quotation from Cornelius Vanderbilt. When the famous financier was asked the secret to becoming rich, he told a reporter, "Do as I do, consult the spirits. Mrs. Woodhull told me in a trance that the Central Pacific was bound to go up."

Goldsmith says she "had no idea who she was, never having heard the name." Woodhull, it turned out, started out as a mystic and fortune teller traveling with her father's medicine show in the early part of the 19th century. She was the first woman to speak before Congress, the first woman to run a financial office on Wall Street, and the first woman nominated for the presidency of the United States.
Other Powers Bookjacket

Goldsmith launched her research, but confesses that "It took me almost ten years to complete the book." She said one critic called her book a biography of Victoria Woodhull in the same way that "Gone With the Wind" was a biography of Scarlett O'Hara. "Other Powers" takes a detailed and fascinating journey through the times in which Woodhull lived, providing a stunning look at the plight of women. Ironically, the book demonstrates that many of the inequities faced by the women of a century ago continue unabated today.

"I started out thinking that perhaps Victoria would be the subject of the book, but she becomes an aberration unless you contrast the era in which she lived," Goldsmith said. "Women couldn't vote, husbands could beat them without fear of reprisal, they had to give their wages to their husbands, and if divorced couldn't hold on to their property. Women were bound to give sexual access to their husbands, too. When I began to understand that, I began to understand Victoria. And in understanding her, I understood that even the strongest women needed something to let them go forward."

Goldsmith believes that this gross imbalance in the relationships between the sexes led to the popularity of spiritualism, which women saw as empowering. "Those spirits, smart and strong, could tell women what they could do and say." Goldsmith said. "No one questioned Joan of Arc's hearing voices. When I read that spiritualism was a bogus fad, it annoys me, for it sustained women in times when they were really chatteled."

Goldsmith's travels researching the book were extensive and time-consuming. "I was going to write about Woodhull leaving the country in 1877, spending most of the rest of her life in England." The feminist leader, target of harsh criticism for her pioneering efforts on behalf of women in the U.S., tried to erase her notoriety in her new newly adopted country.

Goldsmith "found a lot of fraudulent material had been created through Woodhull's efforts to gentrify her name after she settled down in England. I knew much of this material was false, so I decided to more or less end the book when she leaves this country."

The writer explained that because she has spent her life as an investigative researcher, "When I see an archive that is faked, I run."

To Goldsmith, there's no question that the story of Victoria Woodhull applies to today's woman. "She wrote in 1870 that women should never agree to anything they find unfair, unkind or uncomfortable," Goldsmith said. "I know as a woman that when I find those things, I begin to think. Certain things never change. Human emotions, the idea that sex is one of the easiest ways to bring a politician down, that the entrenched church feels threatened by new views; these things have not changed, and they probably never will."


If you like Bob Powers, and everyone should, and you want to read more of his incisive columns, check out Innerart/artbits; The Columbus Free Press; Mid-Ohio Valley Arts Window; or go to Suite 101 and click on "Today's Fiction."

________________________

If you want to compliment, condemn, or argue with Bob Powers, his e-mail address is: rpowers@ee.net.



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