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Version 4.0, Event #128: The Mammoth Edition
G21 ASIA: Part Two of ROD AMIS' reporting on the elections in Kampuchea(Cambodia): Interview with Lar Mundstock of the National Development Party.
ON DRUGS: ADAM SMITH, Barry McCaffrey's favorite writer, reports on how the "Fear & Punishment in Plano, Texas."
VOX POPULI YOUR page of e-mailed comments is updated. Looks like PHIL MARTIN week! BOB POWERS delivers a one-two punch this Issue:
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"Grenadilla" (Concord Jazz CCD-4809) is Peplowski's fifteenth album and it's a good one. Jazz clarinet is not this writer's personal favorite, with only a few jazz performers having turned me on in the past, most particularly Benny Goodman and Buddy DeFranco. However, a couple of close listenings to Peplowski's latest shows indisputably that he ranks in the hierarchy of licorice stick noodlers.
With able support by Ben Aronov on piano, Greg Cohen at the bass and Chuck Redd manning the drum kit, Peplowski turns in a stellar performance, with 11 cuts that include originals by Aronov and Cohen, along with Victor Herbert's perennial "Indian Summer" and the old Julie London smash hit from the late 1940's, "Cry Me a River."
While some critics have attached the label of traditionalist to Peplowski, "Grenadilla" shows him taking a few steps in new directions, according to the helpful liner notes by Chip Deffaa , whose writings appear in The New York Post and Entertainment Weekly. According to Deffaa, "No clarinetist of Peplowski's generation plays the instrument better than he does. His finesse, his control, his command of the instrument are superb."
Born 39 years ago in Cleveland, Peplowski began playing professionally at the age of 10, working in polka bands. That proved good training for jazz. He attended Cleveland State University, but dropped out at age 19 to join Buddy Morrow, who was by then heading the Tommy Dorsey ghost band. Peplowski left Morrow in 1981 to begin freelancing in New York City. It wasn't long until the recording work started to keep him busy.
And the title, "Grenadilla," it's the wood from which a majority of clarinets are made. Peplowski says that in the rain forests of Northern Mozambique and in South America, "the tree is known as The Tree of Music."
GUITAR GREATNESS
The most impressive instrumental guitar album I've heard in many moons is just out. "Bottleneck Serenade" (Kicking Mule, KMCD-3911-2) shows off the incredible talents of Stefan Grossman, one of the great masters of the instrument. Recorded during the summer of 1975 at studios in Rome and London, using the then new 16-track equipment, it's a 39-minute gem of a dozen superb tracks.
With many layers of sound, the veteran Grossman makes music that should delight fans of many genres of music. This is simply good stuff, sounding great through excellent remastering work done by Joe Tarantino at Fantasy Studios in Berkeley, Calif.
You'll think you're in heaven for certain when you listen to Grossman's enchanting version of the Roberta Flack smash, "The First Time Ever I Saw Your Face," which Grossman, in notes written for the original album, calls "one of the most beautiful melodies of the last years." Mike Cooper adds his excellent support on bottleneck guitar for three tracks.
This one's a keeper.
Live! Daily, the online magazine of Ticketmaster, reports that Alanis Morissette will make a tour of clubs in the fall, prior to the release of her new album, due out in early November. The Canadian warbler's single, "Uninvited," from that horrendous movie, "City of Angels," has been sitting in the top spot of Top 40 airplay charts.
Morissette will wait until early 1999 to launch a full scale tour. That will make four years since she hit the big time with "Jagged Little Pill" in the spring of 1995.ALANIS SETS CLUB TOUR
If you like Bob Powers, and everyone should, and you want to read more of his incisive columns, check out Innerart/artbits; The Columbus Free Press; or go to Suite 101 and click on "Today's Fiction."
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If you want to compliment, condemn, or argue with Bob Powers, his e-mail address is: rpowers@ee.net.
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