The Masterful J.J.

by Bob Powers

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Trombonist Robin Eubanks found inspiration on his chosen musical instrument when he first heard Curtis Fuller, bone player with Art Blakey's fabled Jazz Messengers. In the liner notes for his new album, Eubanks explained that the Jazz Messenger became his favorite band "because they swung so hard, and they had Art Blakey!"

But Eubanks, biggest influence has been the incomparable J.J. Johnson, whose work during the 50s and 60s remains the standard by which jazz trombonists are judged. The new CD by Eubanks, sextet, "4: JJ/Slide/Curtis and Al" (TCB97802) is one of those albums that you,ll leave on the player for repeated listenings. This is superb music, a modern mix of bop and post bop, with occasional bits of funk, rap, and other modern genres.

Eubanks gets a wonderful tone on the admittedly difficult slide trombone, particularly in his tribute called "J.J." His younger brother, Duane, joins the group on trumpet and proves that he's worthy of the task. (Another brother is guitarist Kevin Eubanks, leader of the Tonight Show band.) The brilliant young sax player Antonio Hart will cause attention with his stellar work on this hour-long collection of seven originals, plus innovative versions of Kurt Weill,s "Speak Low" and Wayne Shorter's "Black Nile."

If you like straight-ahead jazz, Robin Eubanks is your man. The album was produced by Aleardo G. Buzzi. For more information, check TCB's web page. Or you can contact the company by e-mail.

Amina's All Right

My first encounter with the music of Amina Figarova is in her album, "Another Me" (Munich Records BMCD294). The promotional CD arrived at my house with no accompanying information. But the young pianist has produced an excellent release of light background jazz, done with style and suitable for late night listening while otherwise occupied.

Figarova, who sings on four of the 11 cuts, wrote all the music (with one collaboration with drummer Hans Jijkenaar). Her voice is pleasant, her dexterity at the keyboards is expert. Backup, ranging from two to five musicians, is more than competent. I'm assuming Figarova comes from Holland, as the jewel case notes that her management is in Rotterdam.

A Perfect Match

Two of America's best authorities on the topic of jazz also happen to be talented performers as well. Pianist Dick Hyman and saxophonist Dick Wilber have had distinguished careers over the past half-century.

These guys are perhaps the best choices to do an album saluting Johnny Hodges, the magnificent sax genius from the Duke Ellington Orchestra, and organist Wild Bill Davis, whose career launched as a player when he joined Louis Jordan's Tympathy Five in 1945. Although an excellent jazz pianist, Davis is best known for his jazz organ trio, prominent in the late '50s.

Wilber, 70, has been involved in jazz since a high school sophomore. His history involves working with his own groups and as a frequent player on many others, albums. Wilber has a history with Ellington, having been commissioned in 1966 to put together a small-group program in 1966.

The new collaboration between Wilber and Hyman is called, not unexpectedly, "A Perfect Match" (Arbors ARCD 19193). It contains a dozen tunes that give both musicians ample room to show their wares and pay a delightful tribute to Hodges and Davis. Especially worthwhile are the gorgeous "Wisteria," a song written by Jimmy Jones and Mercer Ellington) and the sensual Gershwin brothers ballad, "He Loves and She Loves."

Backing Wilber and Davis are Britt Woodman, trombone; James Chirillo, guitar; Phil Flanigan, bass, and Joe Ascione, drums.

Western Music, Well Done

Western music? That's not a term I've encountered much lately, but recent listenings to Stephanie Davis have convinced that it's a tradition ripe for mass-market revival.

Recently the letter carrier brought me a package, with a personally signed note from Ms. Davis, of her two albums. "River of No Return" and "I'm Pullin, Through" (Recluse Records) both were released in 1996. As a singer, songwriter and performer, Davis has achieved a modicum of success. After hearing these two albums, it's obvious that she deserves to reach the widest possible audience.

Davis is worth your attention. Her web page is found at www.cattle-log.com and you can send e-mail. Check her out!

Fabulous Folk

For a quarter century, the Kerrville Folk Festival has been a regular happening in a small Texas town. The event two years ago brought together more than 100 performers during its 18-day run. A dozen of the best performances have been collected in "Kerrville 25th Anniversary Album" (Silverwolf/Kerrville SWKCD).

The uniformity and quality of the cuts on this excellent album demonstrate that Kerrville attracts the creamiest of the current crop of folk performers, including Kevin Welch, Gail Davies, Richard Shindell, the brilliant Tom Paxton, and the unique sounds of the Chenille Sisters. This music will soon become one of your favorites, no matter your personal opinion of folk music. It's simply good stuff.

Smooth Jazz: Good or Ugly?

The music in violinist Michael Ward's "Laid Back" (Ralph Records RR9704) contains only a tiny portion of jazz, overlaid with music so unobtrusive and bland that it would fit right in with the junk sounds that fill far too many elevators. Even when Ward attempts to rise about the torpor level, the result is a much-diluted version of jazz, so punchless, so without distinction, as to fall back to the level of tunes heard ever so slightly at the local busy cafeteria. Ward, a decent player, should venture beyond this background music and demonstrate the talent that lies beneath all the "smooth" trappings.

Comfortable, as in Old Shoe

Don Baker is a popular singer, guitarist and harmonica player who has built a distinguished career in his native Ireland. Bono of that other Irish entity U2 has called Baker the greatest acoustic harmonica player in the world.

As a singer, Baker reminds one of Jim Croce, in that his voice is pleasant though husky, smooth as a cool August night. His new album, "Just Don Baker" (Round Tower RTMCD 91), contains an ecletic mix of old and new. Eight of the numbers are Baker originals. The others include some favorites, such as Bill Broonzy,s "Hey Hey Baby" and Donovan,s wonderful "Catch the Wind." Baker has an album that will be welcomed by the easy listening crowd, yet has enough punch to attract diehard folkies as well.

Round Tower Records can be reached through e-mail at: 102354.2304@compuserve.com .

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Record companies who produce albums in pop, jazz, blues, or folk categories are invited to add Bob Powers to their promotional mailing lists. He pledges to give all comers a fair listen. Contact him by e-mail .



If you like Bob Powers, and everyone should, and you want to read more of his incisive columns, check out Innerart/artbits; The Columbus Free Press; or go to Suite 101 and click on "Today's Fiction."

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If you want to compliment, condemn, or argue with Bob Powers, his e-mail address is: rpowers@ee.net.



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